stuff

Famitsu 23rd June 2016 Super Robot Taisen 25th anniversary interview with Terada Takanobu (BB Studios, producer) and Satake Shinya (Bandai Namco Entertainment, producer) V is the first time Satake is getting involved with SRW, but he's sticking to business stuff like advertising. Terada  says that as someone who has worked on various tokusatsu games, Satake is a reliable producer who has passion in handling characters. Satake explains that V's Voyage comes from how this year is going to be a turning point for the series. Terada adds that it took them a long time to settle on this title. Interviewer asks why V is a standalone. Satake says that it's because they considered how it's going to be localised for Asia. Terada says that he's felt the love of the fans whenever he participated in overseas events, and wants to make this a game that foreign fans will love. He also says that this doesn't mean that they're not going to make a long series again. Sat...

Dengeki Playstation  vol. 616 Super Robot Taisen 25th anniversary interview with Terada Takanobu Terada's favourite seishin is kiseki/miracle, his favourite part is mega booster, the robots he'd like to pilot in real life are "first Gundam, then an AT, then Combattler V", and he's been playing Gundam Breaker 3 at lot lately, using only Katoki designs repainted in Titans colour schemes. He says that while you might not be able to tell from the outside, a lot has changed on the inside for SRW in the past five years. F and F Final were the biggest turning point for the series. F Final was supposed to really be the final SRW game, and they put all their effort into it, but it ended up doing so well that the series continued. After that was Alpha, where they restarted the story from scratch, which also became a turning point for the battle animations. 2001's A was pretty big too as it marked the start of their portable releases which continue up till now, so ...

Wild Arms 2nd Ignition Complete Guide (Famitsu, 2000) ワイルドアームズ2ndイグニッションコンプリートガイド ISBN-10: 4757701098 ISBN-13: 978-4757701090 Summary of interview (pg 344-353) with Kaneko Akifumi (writer, total game design), Ookubo Tetsuya (monster design, battle graphics), Itou Yukihiko (character design, field) Kaneko says the theme of the game is heroes; How "hero" is interpreted. An antithesis to the kind of heroes that appear in RPGs. Ootsubo says they ran with their own interests a lot, with even more homages to things that they love, and Itou notes that the people in charge of the battles were having great fun working on the game. Kaneko says that Force is something that builds up with fear, when you're in danger. Regular enemies just die to normal attacks so it's mainly for bosses. It's a system they came up with solely for Ashley- Letting him just transform right off the bat would be equivalent to Ultraman starting a fight with his specium ray. Ootsubo interp...

Astranagant model kit manual fluff translation Height: 40.7 metres Weight: Unknown Weapons: ZO Sword, Gun Familiar, Axion Cannon, Infinity Cylinder A mysterious humanoid mobile weapon that cannot yet exist, though some claim to have glimpsed it. It appears out of nowhere, and is thought to be able to travel not just through space but also through parallel worlds. However, its methods of doing so and power source are unknown. It is assumed to be part of the "Chum Tzelem" series of mobile weapon Euzeth Gozzo was working on in the Ze Balmary Empire, but it is unknown if this unit belongs to the empire. Also, technology from Earth's (the surface world) and the underground world of Ra Gias is also used in it, as it has a T-Link System, a sword that uses Zol Orihalconium, and remote attack weapons called familiars. However, its association if any with the SRX and Masoukishin is unknown. Weapons (Infinity Cylinder and Gun Familiar are only in the Premi...

Gundam UC #7 script stuff -Full Frontal's mask glowing DOES mean he's controlling the Neo Zeong remotely.   -When he says he's no longer empty "his face looks, unlike before, like an actual human's- albeit that of one mired in regret". When he removes his mask Syam picks up that there's now something different about him. (i.e. When he addresses Full Frontal as the ghost of Char he meant it literally)   -Only the gatling guns attached to the shields are destroyed by the psycho shard (and not the shields themselves, in the case of the shields).   -The sequence where Banagher and Full Frontal see time is caused by the Sinanju and Unicorn's psychoframes resonating. This is described as vision pouring into their heads as their minds being taken to different space-times.   -When their psyches reach the end of time the Neo Zeong (and Unicorn, though it's not seen in the OVA) start to crumble. There's no actual explanation...

Katarou! 555, Blade, Hibiki Source:  語ろう! 555・剣・響鬼 【永遠の平成仮面ライダーシリーズ】 (2015) Katarou! 555, Blade, Hibiki ISBN-10: 4862552854 ISBN-13: 978-4862552853 Book of interviews with various people regarding 555, Blade and Hibiki. Second book in the series; Stuff from the first book is here . Interviewer is Tanida Shuntarou (谷田俊太郎). Urobuchi Gen (pg 127-166) -They reveal that during the interview in the previous book (Katarou! Kuuga, Agito, Ryuuki) Urobuchi had already been hired to work on Gaim, but wasn't allowed to talk about it. It was pretty much just after he'd been contacted by Toei. -The interviewer reveals that Urobuchi had told him about this off-record that the belt was "fancy" this time, but when he heard rumours that it was fruit-themed he didn't believe even with this prior knowledge. -The fruit theme came as a surprise to Urobuchi too, because when he met with producer Takebe Naomi she said she wanted him to bring Kamen Rider back to the earl...

https://00tn2.blogspot.com/2022/12/the-blind-idiot-guide-to-demonbane-side.html