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Wild Arms 2nd Ignition Complete Guide (Famitsu, 2000) ワイルドアームズ2ndイグニッションコンプリートガイド ISBN-10: 4757701098 ISBN-13: 978-4757701090 Summary of interview (pg 344-353) with Kaneko Akifumi (writer, total game design), Ookubo Tetsuya (monster design, battle graphics), Itou Yukihiko (character design, field) Kaneko says the theme of the game is heroes; How "hero" is interpreted. An antithesis to the kind of heroes that appear in RPGs. Ootsubo says they ran with their own interests a lot, with even more homages to things that they love, and Itou notes that the people in charge of the battles were having great fun working on the game. Kaneko says that Force is something that builds up with fear, when you're in danger. Regular enemies just die to normal attacks so it's mainly for bosses. It's a system they came up with solely for Ashley- Letting him just transform right off the bat would be equivalent to Ultraman starting a fight with his specium ray. Ootsubo interp...

Astranagant model kit manual fluff translation Height: 40.7 metres Weight: Unknown Weapons: ZO Sword, Gun Familiar, Axion Cannon, Infinity Cylinder A mysterious humanoid mobile weapon that cannot yet exist, though some claim to have glimpsed it. It appears out of nowhere, and is thought to be able to travel not just through space but also through parallel worlds. However, its methods of doing so and power source are unknown. It is assumed to be part of the "Chum Tzelem" series of mobile weapon Euzeth Gozzo was working on in the Ze Balmary Empire, but it is unknown if this unit belongs to the empire. Also, technology from Earth's (the surface world) and the underground world of Ra Gias is also used in it, as it has a T-Link System, a sword that uses Zol Orihalconium, and remote attack weapons called familiars. However, its association if any with the SRX and Masoukishin is unknown. Weapons (Infinity Cylinder and Gun Familiar are only in the Premi...

Gundam UC #7 script stuff -Full Frontal's mask glowing DOES mean he's controlling the Neo Zeong remotely.   -When he says he's no longer empty "his face looks, unlike before, like an actual human's- albeit that of one mired in regret". When he removes his mask Syam picks up that there's now something different about him. (i.e. When he addresses Full Frontal as the ghost of Char he meant it literally)   -Only the gatling guns attached to the shields are destroyed by the psycho shard (and not the shields themselves, in the case of the shields).   -The sequence where Banagher and Full Frontal see time is caused by the Sinanju and Unicorn's psychoframes resonating. This is described as vision pouring into their heads as their minds being taken to different space-times.   -When their psyches reach the end of time the Neo Zeong (and Unicorn, though it's not seen in the OVA) start to crumble. There's no actual explanation...

Katarou! 555, Blade, Hibiki Source:  語ろう! 555・剣・響鬼 【永遠の平成仮面ライダーシリーズ】 (2015) Katarou! 555, Blade, Hibiki ISBN-10: 4862552854 ISBN-13: 978-4862552853 Book of interviews with various people regarding 555, Blade and Hibiki. Second book in the series; Stuff from the first book is here . Interviewer is Tanida Shuntarou (谷田俊太郎). Urobuchi Gen (pg 127-166) -They reveal that during the interview in the previous book (Katarou! Kuuga, Agito, Ryuuki) Urobuchi had already been hired to work on Gaim, but wasn't allowed to talk about it. It was pretty much just after he'd been contacted by Toei. -The interviewer reveals that Urobuchi had told him about this off-record that the belt was "fancy" this time, but when he heard rumours that it was fruit-themed he didn't believe even with this prior knowledge. -The fruit theme came as a surprise to Urobuchi too, because when he met with producer Takebe Naomi she said she wanted him to bring Kamen Rider back to the earl...

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Source: コンプティーク 2015年8月号 増刊 TYPE‐MOONエースVOL.10 Comptique (August 2015) zoukan, Type-Moon Ace Vol. 10 ASIN: B00YWYL8F6 Voice from Type Moon Relations / Urobuchi Gen no Yaritaizakari A story is a method with which one separates things into good and evil via their imagination. It is a system needed for people to keep themselves sane and deal with the unreasoning chaos of reality. Religion offers the story of salvation, for example. Likewise, morals and ethics could be defined as the most popular story of the people of the age. But while these stories are harmless as long as they're used to keep individuals calm, this changes when they're used as tools for a country or race. Stories like "jews are an inferior race that have to be purged" and "capitalists are devils and if you suicide bomb them you can go to heaven" brought about tragedies due to their popularity. For an example on a smaller scale, it's not uncommon that a story that one person...

Source:  語ろう!クウガ・アギト・龍騎 (2013) ISBN-10: 4862551785 ISBN-13: 978-4862551788 Katarou! Kuuga, Agito, Ryuuki Source:  語ろう!クウガ・アギト・龍騎 (2013) Katarou! Kuuga, Agito, Ryuuki ISBN-10: 4862551785 ISBN-13: 978-4862551788 Book of interviews with various people regarding Kuuga, Agito, and Ryuuki. UROBUCHI GEN (pg 58-94) -Interview is from before he was allowed to talk about being on board for Gaim. They allude to it but end with him saying he's not allowed to talk about it yet. -He says that working on tokusatsu is "probably" (once again, not allowed to talk about Gaim yet) completely different from working on anime, because there are a lot of factors outside the writer's control, like the belts. He "thinks" the writer is given the belt first and it told to write a story around it. Up till now he'd written stuff completely freely so it would be a huge challenge to him. -Most of the Showa riders aired when he was a young chil...